Plastic Love's Cinematic Home: Movie Title?

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Plastic Love is the title of several films and a song by Japanese singer Mariya Takeuchi from her 1984 album, Variety. The song was released as the album's third single on March 25, 1985, and a music video for the song was released by Warner Music Japan in 2019. There are short films titled Plastic Love from 2005, 2012, and 2017, as well as a documentary film about Japan's relationship with plastic that is also titled Plastic Love!.

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'Plastic Love' by Mariya Takeuchi

"Plastic Love" is a song by the Japanese singer songwriter Mariya Takeuchi from her 1984 album "Variety". Takeuchi wrote and sang the song, and it was produced by her husband, Tatsuro Yamashita. "Plastic Love" is a city pop song with an upbeat arrangement and melancholic lyrics that describe a woman embracing a hollow, hedonistic lifestyle after being scorned by a lover.

Upon its initial release in 1985, the single reached number 86 on the Oricon Singles Chart and sold around 10,000 copies. However, in the late 2010s, the song experienced a resurgence in popularity when an eight-minute remix was uploaded to YouTube by a user named Plastic Lover. This fan-made remix, which featured a thumbnail of the cover of Takeuchi's earlier single "Sweetest Music", went viral and received over 20 million views before being taken down due to a copyright issue with the photographer, Alan Levenson.

The song's popularity on YouTube and internet memes, as well as remixes and discussions on global forums, led to "Plastic Love" breaking into Japan's top ten sales charts again in 2017. This renewed interest in the song resulted in the release of an official music video by Warner Music Japan in 2019, directed by Kyotaro Hayashi. The song has also been covered by various artists, including Taiwanese indie pop musician 9m88 in 2018 and Japanese idol group Juice=Juice in 2021, who peaked at number three on the Oricon Singles Chart with their version.

Takeuchi has expressed surprise at the song's popularity among foreign listeners, especially considering it was mostly performed in Japanese. In an interview with The Japan Times, she commented on the unexpected global reach of the song and her curiosity about the resurgence of the city pop genre.

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'Plastic Love' short film, 2017

The 2017 short film "Plastic Love" is a South Korean drama with a runtime of 11 to 13 minutes. The film's unique premise revolves around a smartphone that has fallen deeply in love with its master, Eunsoo, and even her lover. This unusual narrative explores the dynamics between Eunsoo, her lover, and the phone, blurring the lines of traditional romance.

"Plastic Love" delves into the complexities of relationships, desires, and the role of technology in human interactions. With its short duration, the film likely delivers a concise yet intriguing exploration of these themes. The premise of a phone falling in love with its owner is a creative twist on the modern relationship between people and their devices, raising questions about the nature of love and attachment in the digital age.

The film's title, "Plastic Love," may be a play on words, referring to the artificial nature of both the smartphone's love and the material composition of the device itself. The use of the word "plastic" could symbolize the superficial or manufactured nature of modern relationships, where technology often mediates human connections.

While there is limited information available specifically about the 2017 short film, there is a 2012 short film with the same title, "Plastic Love," which is a British movie about strange fetishes, death, and relationships. This film explores the darker side of relationships and the dangerous consequences of embracing fantasies. It is described as controversial, funny, and disturbing, evoking comparisons to Kubrick's "A Clockwork Orange."

Additionally, there is a music-related project also called "Plastic Love," which is a fan-made music video for the 1984 Japanese City Pop song "Plastic Love" by Mariya Takeuchi. This project differs from the short film and adds another layer to the diverse creative interpretations of the name "Plastic Love."

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'Plastic Love' short film, 2012

The 2012 short film "Plastic Love" is a dark comedy-drama about fetishes, death, and relationships. The film explores the fantasies and consequences that arise within a relationship and the dangers that these fantasies can pose, even when consensual. With a runtime of under 10 minutes, the film embraces the darkest desires of its four main characters, delivering a performance that is both absorbing and disturbing. The film's original score, composed by Martin Dubka, adds to the uninhibited nature of the characters and has drawn comparisons to the works of Refn and Kubrick. "Plastic Love" was an official selection at the 2013 Gloucestershire Showcase Short Film Festival.

While the film does deal with themes of fetishes and fantasies, it does not focus on non-consensual sex. Instead, it explores the complexities and dangers that can arise even when all parties are consenting. This nuanced approach to consent and its potential consequences is a central theme of the film.

"Plastic Love" has been described as "very British" in its controversial blend of humour and disturbing content, a combination that few other cultures could produce. The film has drawn comparisons to Kubrick's "A Clockwork Orange" in its exploration of dark and taboo subjects. However, unlike "A Clockwork Orange," "Plastic Love" does not delve into non-consensual acts but rather focuses on the impact of fantasies and desires within the context of consenting relationships.

The film's title, "Plastic Love," may evoke themes of artificiality and the ways in which love and relationships can be shaped and manipulated by our desires and fantasies. The use of the word "plastic" could suggest a malleable or synthetic nature to the love depicted in the film, reflecting the complex and sometimes unsettling dynamics explored throughout the narrative.

Overall, "Plastic Love" is a thought-provoking and provocative short film that challenges societal norms and taboos while offering a unique perspective on human relationships and the intricate interplay between love, desire, and consent.

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'Plastic Love' documentary

"Plastic Love" is a song by the Japanese singer Mariya Takeuchi from her 1984 album Variety. The song is a city pop track with an upbeat arrangement and melancholic lyrics. In 2017, an eight-minute version of the song was uploaded to YouTube, and it quickly went viral, receiving over 22 million views by 2019 and 55 million views by 2021. The song's popularity led to a short music video being released by Warner Music Japan in 2019, and the song was re-released as a single in 2021, becoming the best-selling analog single of that year in Japan.

There is also a documentary film called "Plastic Love" that explores the issue of single-use plastic pollution in Japan. The film is directed by photographer and filmmaker Sybilla Patrizia and artist Clementine Nuttall. The film follows Patrizia and Nuttall as they travel across Japan, meeting with various people to understand how the country, known for its profound culture of packaging, has become one of the world's biggest plastic polluters. They explore whether the same love for wrapping that led to this crisis can also hold the key to achieving true sustainability.

Additionally, there are several short movies with the title "Plastic Love". One is a 2017 South Korean short film (13 minutes) about a phone that loves its master, Eunsoo, and even her lover. Another is a 2012 British short film (runtime unknown) about strange fetishes, death, and relationships, with four main characters embracing their darkest desires.

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'Plastic Love' music video

"Plastic Love" is a song by Japanese singer Mariya Takeuchi from her 1984 album "Variety". It is a city pop song with an upbeat arrangement and melancholic lyrics that describe a woman who embraces a hollow, hedonistic lifestyle after being scorned by a lover. The song was released as the third single from the album on March 25, 1985, and reached number 86 on the Oricon Singles Chart.

In recent years, "Plastic Love" has experienced a surge in popularity, thanks to unofficial uploads on YouTube. In 2017, an eight-minute fan-made remix of the song went viral, acquiring over 22 million views by 2019. The video featured a still image from Takeuchi's "Sweetest Music / Morning Glory" single, which was taken down due to a copyright dispute with the photographer, Alan Levenson. Despite this setback, the song's popularity continued to grow, with the official release in November 2020, and it became known as an "invisible hit song".

In 2019, Warner Music Japan released a short version of the official music video for "Plastic Love", 35 years after the song's original release. The video was directed by Kyotaro Hayashi and visualized the world of the song while celebrating the era it came from. The full version of the music video was released later, although the exact date is unclear.

The newfound popularity of "Plastic Love" has had a significant impact on the city pop genre, leading to a revived interest internationally. The official music video for the song further contributed to its success, with the song breaking into Japan's top ten sales charts for the first time. The video captures the bubbly '80s tune and emotive nature of Japan's night scenes, perfectly matching the lyrics that tell the story of a woman's loneliness after losing her true love.

The Many Faces of Melted Plastic

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Frequently asked questions

Plastic Love is the title of several movies and songs. There is a short British movie from 2012 about strange fetishes, death, and relationships. There is also a short Korean movie from 2017 about a phone that loves its owner, Eunsoo, and her lover. Plastic Love is also the title of an upcoming documentary film about Japan's complex relationship with plastic. Finally, Plastic Love is a song by Japanese singer Mariya Takeuchi, from her 1984 album Variety.

The 2012 short film explores strange fetishes, death, and relationships. The movie deals with fantasies and their consequences in a relationship.

The documentary explores Japan's relationship with plastic, examining the country's system of production, consumption, and waste management.

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